Seamless Studio workflow
Studio camerawork can be very demanding, requiring precise shots to be delivered repeatedly under pressure – often in noise sensitive and dimly lit locations. Achieving this relies not only on skill and practice, but also on quality, reliable equipment.
Pedestals are typically used in studios and because they are a dynamic tool – used during recording – noise and smoothness of movement are critical factors to consider. In addition height range is key: the ideal studio pedestal should enable the operator to place the lens below the eye line of a person sitting in a chair, as well as position the camera lens over the shoulder of a person standing on set.
Vision pedestals pay attention to every detail. The ergonomic designs are quiet and strong, providing optimum support whilst keeping noise levels to a minimum. All of the pedestals feature a perfectly balanced pedestal column that enables precise camera elevation: allowing the operator to avoid the effort and extra concentration needed to control an unbalanced camera and pay full attention to shot framing. Of course pedestals are only one part of the studio set-up. Pan and tilt heads have to be reliable, quick to set-up and often capable of holding multiple accessories such as prompters and talent monitors.
Most importantly they have to help the operator achieve the exacting standards demanded by today’s audiences.
Unify the production
Build a better workflow
Maximize budget
Small Studios
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Medium Studios
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Large Studios
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Virtual Studios
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The leader in robotic studio solutions
For those looking to further increase the efficiency of their studio operations, Vinten has been a leader in developing robotic studio solutions.
Broadcast robotics are already providing cost effective solutions in a wide range of applications from simple one or two camera studios to complex networks utilising total robotic solutions for everything from news broadcasts to live sports action.
The increased capabilities and creative advantages of broadcast robotics are ensuring its rising dominance in studio camera support. More and more broadcasters are taking the decision to move into robotics to reap the obvious benefits:
High quality, repeatable on-air movement
Each shot is stored and executed precisely, so directors and stations can maintain a unique look for each show, preserving the station or programme identity.
High quality, repeatable on-air movement
Each shot is stored and executed precisely, so directors and stations can maintain a unique look for each show, preserving the station or programme identity.
Dramatic reduction of production costs
The use of broadcast robotics guarantees highly repeatable performance which dramatically reduces production costs.
Automating camera positioning and control releases operators to undertake more creative and fulfilling work without compromising production quality. Overhead reductions are typically as much as 50%, achieving payback on the investment within three years or less.
Reduced complexity and increased flexibility
The user interface is easy to use, and operators are able to learn the necessary skills within a few hours and can then concentrate on achieving perfect framing on every shot.